Dalton Reyes' two-hander about a highway patrol dispatcher and the trucker she talks down from the edge of a bridge is the best wide release of the fall — and it's only in theaters for three more weeks.
We ran the numbers on five services' October catalogs so you don't have to keep five subscriptions running out of inertia. One of them is worth starting today; two are worth cancelling.
Dalton Reyes' highway-set two-hander is tense without raising its voice, and it's the best reason to go sit in a dark room with strangers this month.
A buying guide to the restorations and box sets actually worth the shelf space and the asking price, ranked by how often you'll pull them back down.
The titles sliding off the major services before the month is out, and which ones are worth clearing your evening for while you still can.
You don't need a vault. You need a shelf, a player that won't die in a year, and a rule for what actually earns a spot on it.
Imri Kessler's festival drama about a family selling the orchard that raised them is small, patient, and quietly devastating.
No other American director has spent so long looking at what a city looks like after midnight, or taken it as seriously as he does.
As runtimes creep past three hours, a handful of theaters and distributors are bringing back the built-in break. It might be the most humane idea in exhibition this decade.